It’s suddenly rather cold, dark and rainy here after an unexpected run of ~80°F days. This panel from Blake & Mortimer’s La Marque Jaune (translated as The Yellow M) fits my mood pretty well.

Overall, I don’t feel like Jacobs is quite on Hergé’s level as a ligne claire artist, but every once in a while he charms me, as with this rainy panel that looks like it could be out of The Third Man (classic Orson Welles film from 1949, set in Vienna).

Funny, when I was looking for a higher-quality version of the original, I came across one with a much different color scheme. Hroom, now… which seems the better fit?

image

I’m still taking a posting break on the whole, but just wanted to add that I appreciate the group support from the other day. Clearly, a post per day was way too ambitious, but perhaps I can settle for a couple per week.

  • imaqtpie@sh.itjust.worksEnglish
    2·
    1 year ago

    a big part of the reason Hergé switched to the LC style was evidently to make his cartoons show up more clearly based on the mediocre-quality print technology of the day.

    Yes, I think I was picking up on that aspect, the silhouettes are very easily and clearly recognizable. I also enjoy art that is more stylized and less focused on being photo-realistic.