DJ Shadow - Endtroducing
I have listened to this album more times than anything else I own. I’m on my third copy of it after wearing out the original pressing I have from the 90’s and the repressing from 10 years ago. I know every sample, every soundscape, and it almost brings me to tears every time I drop the needle on it. So many memories of good times where this was the soundtrack. So many friends, now gone, walk next to me again when that album plays.
I miss you, Isaac.
irssi
Gentoo. They’re talking about Gentoo.
I’ve managed to banish all but one windows and one osx install from my house. What’s stopping me is a bazillion little windows utility programs for things like updating firmware on radios and such, and some hardware integrated commercial software: Ableton Live, and Serato DJ. I’ve tried lmms, mixxx, ardour, xwax, and many others. I just haven’t been able to be creative with making and mixing music with the open source tools out there. Mixxx is getting really close, but doesn’t have video integration last I checked.
I keep asking these two companies when they will put out a build for linux and have been met with varied responses from corpo garbage to laughter. It’s disappointing.
Am over 30, sign me up.
Bo Burnham sounds like a fucking idiot. Despite his size, Goliath was defeated by a well placed projectile.
Lilygo uses old stock bb keyboards, I think. Looks exactly like the one an employer had me carry.
https://en.wikipedia.org/wiki/System_Management_Interface_Tool
It’s a menu driven system management tool for IBM’s AIX unix variant. Oddly enough, even Wikipedia shows the relationship from SMIT to YaST. Instead of just smile and nod, next time make up something about “smitty print” (damn near everything was under the “print submenu”, ostensibly because you were printing out the config to screen), and look like you are a grizzled veteran of corporate unix from the days of yore.
:-)
I always viewed YaST as SMIT(ty) for linux. Haven’t looked at suse in forever, though.
Swapping out tubes (and opamps on your DAC) is very much a thing, and I’m convinced that I can hear the difference between a sovtek tube and a Chinese clone, but that could be all in my head, as it wasn’t a blind test. Do some research on the amps, but for computer use, Fosi mc331 has an integrated DAC and puts out about 100w per channel. If my computer didn’t already have active studio monitors, I’d have pulled the trigger on it by now. For $116, it’s hard to resist.
If you can, I highly recommend you try it out. There’s relatively inexpensive tube amps, even on Amazon that you could play with and box back up if it’s not your cup of tea. I just looked at the compressor I use and the price has gone up to a point where it doesn’t make much sense anymore, but it is SUPER useful to add some warmth in between a digital source and the class d amps I use in my PA system.
I’m curious if you’ve tried listening to lossy compressed audio through a vacuum tube output stage? I use a cheap tube compressor with the attack and release turned to minimal and just a little bit of extra makeup gain so that the tube colors the audio a small amount. Think of it like sanding the layer lines of a 3d print, but for audio. It does introduce a small amount of hiss and colors the midrange a bit more prominently, but you can eq that out.
If you are using the files played back at different tempos or keyshifted, the difference between lossy and lossless is a lot more apparent. For standard playback at normal pitch, mp3 is just fine.
Every time I try to slow down my car, I hear chopped up and recontextualized Amens…
I hate it that you’re so right about this.
This has nothing to do with DeepSeek. The world has run out of flashy leather jackets for Jensen to wear, so nvidia is toast.
I’m delusional, then. Spotify hasn’t paid me a red cent, but piracy has indirectly put money in my pocket and food on my table.
Sometimes it does. Piracy drives up sales of traditional media (think: vinyl), as well as increasing crowd size at live performances. Also, merch sales scale with awareness of an artist. All of these things equal the payout of millions of plays on spoffy.
The thought of this terrifies me. I should do it.