The company is Access Industries and the Founder and Owner is Leonard Blavatnik
Along with what’s in the title, he is accused of reputation laundering against Ukraine and has been personally sanctioned by Volodymyr Zelenskyy. He was also part of a WhatsApp group involving some of the United States’ most powerful business leaders with the stated goals of “changing the narrative” in favour of Israel and “helping win the war” against Gaza.
Everything is in the linked Wikipedia article about him, mostly under the “Controversies and disputes” part.
I switched to Deezer after seeing it recommended as a better Spotify alternative here on Lemmy, but after finding all this I immediately stopped using it. It’s as bad as the shit Spotify does and has done IMO. I’m not here to recommend or push an alternative, but if I can give info on what I use now if someone asks.
Since we are on this topic I would incentivise everyone to take a look at resonate.
They are, AFAIK, the only music streaming service where artists, workers and listeners are owners (aka it’s a cooperative)
Looks like new sign ups are paused right now, but it’s definitely something to keep an eye on.
Its not even a flatrate
The pricing looks like its stacking quick if you do neither listen to the same songs over and over or entirely new ones, i dont know if I find the pricing fair for the consumer.
Yeah this is not a transparent pricing model. You start at $0.025 and “go up” from there but I can’t find how much. After you listen to a song 9 times and have paid $1.40 you “own” it but can still only listen to it on their service?
This sounds like iTunes with more steps.
I’m not sure where you get the information that it’s not DRM free
They explicitly say you can download songs while not mentioning the inclusion of any DRM
I’m curious where you found that
It’s still not possible, according to the FAQ: Q: Can I download music I own on Resonate? A: In the future, we intend to offer the ability to download tracks that you own on Resonate to your local device. This feature is not yet available.
So for now, it’s just streaming.
Oh wow, so you never own anything then
This is an interesting idea, but I find their catalogue to be quite terrible for me (so far). Service like this really, really needs big names and much broader catalogue to attract people and start moving. Even though I’m far far from listening to mainstream I literally could not find a single interpret I looked for, and believe me I tried.
This is an interesting idea, but I would assume that over time, the number of “owned” streams would dominate the number of “new” streams, and thus eventually their operating costs would reach a point where they don’t have the revenue to cover it…
At that point their governance structure would show it’s strengths by enabling a democratic decision taking that could solve the issue
Workers, for example, could suggest a small subscription fee that would cover the infrastructure cost, while listeners will most likely object, their view would be valued and impact the approval of any proposed solution
That’s fair, just…for this to scale, it needs to be competitive with existing streaming services. And if the experience for a listener is the same whether a democratic panel raises prices, or greedy enshittification raises prices, there’s not going to be an upside.
To me, the potential upside is identifying the problems with their revenue stream now out in the open, and addressing it now, rather than trying to build a captive audience now and pivot to something more sustainable later (as is the strategy for capitalist startups).
I guess it depends on how much new music is released, added to the library, and then streamed by the users. It’s a valid concern to be sure, but I wonder if it could be offset by user growth and new music to be a non issue
Even if we assume there’s an achievable rate of growth that can consistently outpace owned plays at any given time, as with every business, there will come a day when growth slows. And at that point, they’ll be forced to solve the problem.
And then there’s all the questions of, can I download my tracks to play offline? What if they go out of business? How many artists/labels are even going to agree to this? What about tracks I buy outside of their platform? And what does “own” actually mean given that you never “own” music you buy physical media for, you don’t have any copyright, you can’t play that media for profit, you just have a license to listen to that copy personally. By default the artist “owns” their art. But do they have to give that ownership up to the co-op?
It’s going to be tough to convince people who don’t care to switch away from spotify, and there’s no reason for someone who can self-host to use it unless it’s somehow more effective at funding musicians than just buying their tracks directly.
I wish them luck making the idea work, but I think they have their work cut out for them.